Friedman Benda

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D’Apollonio’s poetically titled Lean on me conveys arrested motion, its tumble of forms pitching forward, yet somehow retaining their stability. Evoking the atmosphere of a time half-remembered, D’Apollonio reinterprets Cubism through a 21st century lens. The work’s title offers an intentionally obscure narrative – an open invitation to equally open interpretation.

Cotton shade.

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