Arranged into striking linear configurations that take inspiration from the Manhattan skyline and knowingly refer to Dan Flavin’s groundbreaking Tatlin series, this series of work adroitly interweaves geographies and temporalities, as well as Eastern and Western art historical canons. Via the aggregate of their tangible and ideological parts, Anastassiades’ pieces at once compress and expand temporal and physical space, distilling these pluralistic dimensions into a poised singular moment.